EMT Practice Test

1. Question Content...

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Question1: You want to use Clip > Modify > Interpret Footage to change a clips dip to 481ps. The clip has already been edited into a 24fps sequence. What happens to the clip in the timeline?

Question2: How can you make it easier toavoid accidentally overlapping existing frames from other clips as you move a dip in the Timeline panel?

Question3: You haw added and adjusted the length of a Wipe transition to the first cut in a montage.
How can you add the same translation to multiple other edit points?

Question4: Your post-production in Adobe Premiere Pro is complete, and you are ready to perfect the audio mix in Adobe Audition.
With the sequence active In the Timeline panel how can you transfer the entire sequence from Premiere Pro to Audition to continue working?

Question5: What is a convenient way to toggle Show Guides on and off when creating titles?

Question6: You are color collecting some clips using the Vectorscope YUV in the Lumetri Scopes panel as a reference.
What is the function of this scope?

Question7: A graphic in the Source Monitor seems to have a black background and you are not sure if it has an Alpha channel.
How can you set The Source Monitor to display the graphic contents along with areas of Transparency rather than with a black background?

Question8: You have an edit point selected as Roll edit (red brackets and you would like to dim one frame left. What is the default shortcut to perform this operation?

Question9: Your customer wants a video file with visible timecode. How can you do this using the Export Settings dialog box?

Question10: You want to customize which columns show in the list view of the Project panel. How can you accomplish this?

Question11: You want to to create an l-cut in the Timeline by trimming only the video or audio of a linked clip. Linked Selection is enabled.
Which modifier key do you hold to Temporarily unlink a clip's picture and sound so you can perform the L-cut edit?

Question12: You are performing drag-and-drop editing using the Program monitor drop-zones.
What happens when you drop a video only dip onto the Replace Edit drop zone in the Program monitor, with no clips selected in the sequence?

Question13: You are collaborating with othereditor and you have all been givena collection of Motion GraphicsTemplates to use in shared projects.
How can you install multiple Motion Graphics Templates all at once for use in Premiere Pro?

Question14: You are -working on a sequence in Adobe Premiere Pro. You would like to create a new graphic in Adobe Photoshop to incorporate in the current sequence. How can you create a new Photoshop file with settings that match the current Premiere Pro sequence?

Question15: A long interview clip has been cut into shorter pieces that are now scattered among other clips in ihe timeline.
How can you ensure that changes to a Sharpen effect will affect every instance of the interview clip?

Question16: You have been given multicamera footage that includes Camera Angle metadata fields.
When creating a Mutt-camera Source Sequence, how can you ensure groups of clips with marching camera angle metadata areautomatically placed on the sametrack?

Question17: You want to create a custom shortcut to give clips on the Timeline a specific label color.
How do you accomplish this?

Question18: You are performing a 4-point Overwrite Edit and have marked In and Out points in both the Source Monitor and Program Monitor. You want the tit Clip dialog to open so you can perform a Fit-to-Fill edit but you previously set the Fit Clip dialog to always ignore the source out point How can you get the Pit Clip dialog to open again so you can perform a Fit-to-Fill Edit?

Question19: You want to share your sequence with other editorsso they can continue editing. You are not sure all editors ate using the same version of Adobe Premiere Pro What Type of file should you export?

Question20: You have added a competeinterviewclip onto a timeline. At the beginning of the dip. there are 10 seconds of material that you want to remove without leavinga gap.
How can you achieve this?

Question21: You have multiple voice dips o* varying levels in a sequence.
How can you quickly adjust all the clips to match a consistent level?